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Israel Fuguemann, Finalist Portfolio

“Pain Everyplace” is my work portfolio over the past two years. I have particularly focused on documenting human rights violations and challenges to democracy in various contexts, with a special emphasis on migrant, displaced, and the most vulnerable populations. My reports combine social chronicle and documentary portrait, aiming to dignify the people portrayed and rescue the human character of each story.

I have covered everything from the massive protests in Venezuela against Nicolás Maduro’s re-election to other human displacement conflicts. My migration work covers various routes and processes: I have accompanied families in the Darién jungle and dozens of people traveling on the train known as “La Bestia,” as well as those stranded in Mexico City waiting to enter the United States, affected by the tightening of immigration policies.

In the international arena, I documented the beginning of the conflict between Israel and Palestine, mainly in occupied areas of Palestine, where Israeli military activity intensified, affecting the daily lives of the civilian population and generating a profound social and human impact. My images aim to convey the fears, losses, and resilience of those living amidst violence, without

stigmatizing either side, and revealing how historical conflicts shape the lives of entire generations.

This portfolio aims to raise awareness about the major contemporary conflicts we share as a region, especially those that affect human rights, democracy, and the dignity of people in contexts of extreme vulnerability. Each photographic essay I present aims to bring the viewer closer to complex realities, promoting reflection, empathy, and a deeper understanding of contemporary social challenges.

What the Jury Said About the Finalist, Israel Fugueman · Photographer of the Year 2025

The following text is drawn —from the public transcript of the POY Latam 2025 judging— from the ideas and comments expressed by the jurors as they analyzed the portfolio of Israel Fugueman, finalist for Photographer of the Year. Individual names are not cited, but the spirit of their collective interventions has been preserved.

“This portfolio is ambitious: it takes us from the West Bank to the Darién jungle, from migrants traveling on La Bestia in Mexico to the streets of Caracas during the elections. There is a remarkable effort here to encompass some of the most urgent conflicts of our time. What we valued most was the courage to be in those places and the ethical coherence in portraying people: there is no sensationalism, but rather a will to understand and to show dignity amid crisis.”

At the same time, the judges noted that the breadth of the work was also its greatest challenge. “The portfolio is strong, but at times it feels stretched across too many fronts. We would have liked to see a more focused edit, one that would allow each story to breathe and reveal its depth. Nevertheless, the visual consistency is clear, and there is a strong voice behind all the series.”

The consensus was that this work represented one of the most relevant perspectives in the category: “This portfolio reminds us that Ibero-American photographers are documenting major global conflicts from within, with access that is hard to achieve and with a sensitivity that avoids clichés. It is no coincidence that it reached so far in the deliberation: it is rigorous, committed work of great documentary importance.”