|

Invented landscapes

In the 1950s and 1960s, the National Colonization Institute launched a project to transform rural Galicia into a model of intensive agricultural production. In Terra Chá, villages such as Matodoso, Arneiro, Pumar, and A Espiñeira were built, designed by Galician architect Alejandro de la Sota, although the urban and architectural concepts followed patterns that were foreign to the region.

These settlements were part of an experiment to repopulate rural Galicia. However, the design was based on models designed for the dry, warm regions of southern Spain. The single-story houses with low-pitched roofs were not suitable for Galicia’s humid climate. The materials and forms, rooted in functionalist modernism, were designed for the hot summers of southern Spain, not for the constant rain and cold of the north.

De la Sota, one of Spain’s most renowned architects, used a rationalist aesthetic with clean lines and geometric shapes, but did not take into account Galicia’s unique climate. The houses, uniform and lacking traditional Galician features such as granaries or thick stone walls to protect against humidity, were built with thin walls and low ceilings, which quickly revealed their structural flaws when exposed to constant rain.

The urban layout, based on efficiency, featured organized streets, central squares, and a standardized distribution. However, the design failed to integrate with Galicia’s natural landscape. The villages imposed an artificial landscape that, decades later, continues to clash with the rural environment. The settlers, many of whom had been displaced by the construction of dams such as Glandas de Salime, found themselves in a completely alien environment. The land was of poor agricultural quality and the project failed to deliver on the regime’s promises. The buildings, once symbols of progress, soon began to deteriorate, leaving villages that never lived up to expectations.

Over time, the villages of Terra Chá have become testimony to a failed experiment. The architecture, alien to the landscape and climate, marks the collective memory of the settlers and their descendants. What was once presented as a symbol of modernization now appears as alien architecture that never integrated with its surroundings or its people, an invented landscape.